60×60 ceiling panels
not all of them are really sound absorbing
Walking through open-space offices, canteens, supermarkets or schools,it is common to notice the classic 60×60 modular panels used in suspended ceilings. They are often hastily referred to as “gypsum board” or, loosely, “sound-absorbing.” But the reality is quite different: not all 60×60 panels offer true sound-absorbing performance.
In this article we will find out what is meant by “sound-absorbing,” how to recognize a truly acoustically effective panel, and why it is important to distinguish between a simple aesthetic coating and a solution designed to reduce reverberation.

1. What does “sound absorption” mean?
Sound absorption is the ability of a material to “capture” sound energy and attenuate acoustic reflections within a room. When a sound encounters a reflective surface, it tends to bounce back, generating annoying echo or reverberation phenomena. In contrast, a sound-absorbing panel allows sound waves to penetrate a porous or fibrous structure, where the energy is partly dissipated as heat.
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- A well-designed sound-absorbing ceiling can improve the acoustic comfort of a room by reducing background noise and improving the clarity of conversations.
- A “normal” non-sound-absorbing panel, on the other hand, is almost totally reflective: its contribution to noise reduction is very low or nil.
2. 60×60 ceiling panels: the materials and differences
There are different types of panels, which can be classified according to the material and the structure:
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- Plain plasterboard panels
- Often employed for aesthetic reasons or to hide implants.
- Deprived of holes/microholes or porous inner layers, the sound absorption power is extremely limited (absorption coefficient < 0.15).
- Mineral fiber panels (rock wool, glass wool) or cellulose fiber
- Designed with porous/fibrous structures that allow a good level of absorption.
- When combined with acoustic veil or microperforated surfaces, they can reach values of αw (absorption coefficient) or NRC (Noise Reduction Coefficient) > 0.70.
- Lightweight or fiber-reinforced gypsum panels
- Some versions have microholes or perforations and are coupled with sound-absorbing fabrics on the back.
- They combine the appearance of plaster with good performance in reducing glare.
- Composite panels
- Composed of layers of different materials (e.g., mineral fiber with surface coating).
- They offer advanced acoustic performance, being able to include thermal insulation or moisture resistance as well.
- Plain plasterboard panels

*image of our Quadra™ product.
3. The importance of surface and mounting
To be truly sound-absorbing, a panel must have:
- Surface permeable to the passage of sound waves (holes, microholes or porosity).
- Fibrous or porous core that “traps” and dissipates sound energy.
- Sufficient air space behind the panel (air gap) to improve absorption, especially at low-mid frequencies.
If a panel is made of compact plasterboard or installed without an absorbent material on the back, its sound-absorbing power will be greatly reduced.
4. How to recognize a real soundproof panel.
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- Check the data stated by the manufacturer
- Look for the αw value (according to UNI EN ISO 11654) or theNRC (Noise Reduction Coefficient). Values ≥ 0.70-0.80 indicate good absorption.
- Check the data sheet: if no acoustic parameter is mentioned, the product is most likely not soundproof.
- Observe the surface of the panel
- Presence of holes, microholes, fibrous fabric coverings.
- Completely smooth panels with no perforations are usually ineffective in reducing glare.
- Check the data stated by the manufacturer
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5. Why is sound absorption so important
The presence of truly sound-absorbing ceilings affects the acoustic comfort:
- Open-space offices: reduces rumbling, facilitating concentration and productivity.
- Canteens and restaurants mitigates general noise, improving communication between diners and acoustic well-being.
- Schools and classrooms increases speech clarity, promoting learning.
- Health care facilities a less noisy environment contributes to a better quality of hospital stay.
Consequences of making the wrong choice
Using 60×60 panels with little or no sound absorption can generate:
- High background noise: with disturbance and stress for the people present.
- Poor speech intelligibility Classrooms, conference rooms and offices become noisy and uncomfortable environments.
- Regulatory non-compliance: especially in school or public settings, there is a risk of non-compliance with legal standards.
6. Practical tips for choosing
- Request data sheets: it is important to view the values of αw or NRC.
- Compare different solutions: manufacturers offer panel lines with different acoustic performance.
- Check the installation: a poorly laid ceiling or one without an adequate air gap loses much of its effectiveness.
- Combine other systems: wall panels, baffles, and acoustic islands can complement the intervention in particularly noisy environments.
7. A solution proposed by Garvan
Among the various solutions on the market, Garvan offers the QUADRA sound-absorbing ceiling tiles., Designed to combine:
- High sound absorption: due to the internal structure and materials used.
- Modern design: suitable for professional, public and residential settings.
- Easy installation: designed to fit into standard 60×60 modular structures.
This type of panel meets the needs of those seeking not only an aesthetic coating, but a certified and truly effective solution against glare.

Not everything referred to as “gypsum board” or “acoustic” automatically corresponds to a sound-absorbing product. If the goal is to improve the acoustic comfort of a room, it is critical:
- Check the stated acoustic parameters (αw, NRC).
- Evaluate materials and finishes (drilling, layering, cavity).
- Rely on certified solutions and industry professionals.
A good sound-absorbing ceiling, properly installed, results in quieter, more comfortable and productive environments that benefit everyone.
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Emotions are a fundamental part of every living being’s life. Sound and design are, for me, some of the most powerful means to generate and convey them. To share this passion, I co-founded Garvan in 2005 with Andrea Martelli.


